re: "Traitors to the Enlightenment. Europe turns its back on Socrates, Locke, et al."
"It is easy to defend artists when they produce works of genius that do not offend popular sensibilities — Da Vinci’s Mona Lisa or Montesquieu’s Spirit of the Laws — but not so when an artist offends with neither taste nor talent."
"(T)he constant subtext in this new self-censorship: fear of radical Islam and its gruesome appendages of beheadings, suicide bombings, improvised explosive devices, barbaric fatwas, riotous youth, petrodollar-acquired nuclear weapons, oil boycotts and price hikes, and fist-chanting mobs."
"(A)lmost daily in Europe, “brave” artists caricature Christians and Americans with impunity. Why?For a long list of reasons, among them most surely the assurance that they can do this without being killed."
"Those in an auto parts store in Fresno, or at a NASCAR race in southern Ohio, might appear to Europeans as primordials with their guns, “fundamentalist” religion, and flag-waving chauvinism. But it is they, and increasingly their kind alone, who prove the bulwarks of the West. Ultimately what keeps even the pope safe and the continent confident in its vain dialogues with Iranian lunatics is the United States military and the very un-Europeans who fight in it."